Brinvillier

She clearly writes a second hand account of the B Renville women's' maniac and unfortunate plan with her later repercussions. Prompting the s Tory ,†this was still the only thing talked about in Paris,† this story tells the tale of a woman's purr e desires and her extreme measures of poisoning her husband. Madame De S' view's sets up her blabs opinion towards the account by using her elevated Dalton.Thus showing her tone an d the execution of the plot. Throughout Madame's letter, she Is able to narrate her purpose dramatic her ideas. And use organizational tools to aid her overall sympathy for the e Berliners woman. Although Seven's is depicting an event, she seamlessly connects her supporting data of her opinions towards the Berliner woman. She starts off noting the women's initial t Houghton and plans for her situation. As she depicts her crime, she leaves no room for the reader to interpret his woman as a good citizen.Seventeen's short summary of the account forces the dual once to trust her opinion and agree with her by the end coming to the conclusion that this w Oman receives no redemption. † And, it may be supposed, that we now inhale what remains of her. † Finally, by using her repetitive strategies, she is able to successfully sway the reader towards what she wants them to believe. Helping Madame De Giving's is her elevated diction. This allowing her create an elite opinion as well as persuading her readers.She creates a dramatic tone almost more than the average author to depict the seventy of both her crime and her execution. She leads t he reader suck her with horror†. She is able to utilize a simple summary yet integrate words like shudder inning and horror to emphasize the importance of the story. Madame has the advantage in her I otter to help depict her version of the story yet still remain true to the main idea. Lastly her organizational tools aid her success of both stating her opinion and narrate Eng her story.Sh e starts out with her impacting one sided headline intriguing the audience e to read her letter at a glance. She creates a steady flow of events streamlined with detailed word choice and extreme opinions. Closing out her letter, she solidifies her views. The Berliners whom an to Madame De Giving's is nothing but a murderous wench remaining completely of ids approval through the entirety of the essay. She is very clever in her organizational set up to Cree ate an easily attainable one sided agreement.And lastly, her clever closing remarks, â€Å"It is to e hoped that we shall not inhale her murderous instincts also,† complete her overall purpose of the letter. Overall, Madame De Giving's provides various examples throughout her letter using writing tools and strategies. She depicts her purpose through her diction and drama ‘zing the horrors of the Berliners woman. Her strategic organization shifts this monotonous e vent into a story of her own. Even though she takes a mo re Juvenile approach towards her though TTS , she uses elite strategies to make her purpose apparent.

The Gift of Love †Creative Writing Essay

The Gift of Love – Creative Writing Essay Free Online Research Papers The Gift of Love Creative Writing Essay The feeling has been known since the beginning of time, and the warning signs have most likely never evolved. They include the heart rising to the throat, inability to catch one’s breath, blood rushing to the cheeks, and the sudden loss of any linguistic capabilities. Yet these are fleeting symptoms, so they cannot really indicate if one is experiencing a visit from that mysterious and elusive character named romantic love. As powerful as the physical onslaught of lust appears, true love is a phenomena that requires the use of one’s time, thought and energy. To love is to unselfishly be faithful to one’s own feelings for another individual. Loving is not seeking personal gain, but hoping to better the life of the other person by becoming a part of it. Love is severely complex because it requires those who seek it to give up a part of themselves to another, without regard to the personal risks that they are taking through this action. It is this type of dangerous but true love that is exhibited in Camus’ Black Orpheus (1958), which is based on the famous myth of two lovers. In this film, a true and profound love is demonstrated by Orpheus and Eurydice because of these characters’ unselfish motives and commitment to their emotions. From the beginning of the movie, Orpheus’ history of love proves him to be a philanderer who has never been serious about a woman, and who does not know how to love truly. He has recently become engaged to Mira, the biggest flirt in town, and this is not a poor match. Orpheus himself is a flatterer and a flirt who constructs enchanting phrases when he composes his famous music. His tendency to charm comes across in the scene where he first encounters Eurydice at the trolley station. He playfully inquires where she is off to and flatters her appearance. Because Orpheus has had such experience with women and relationships, one would not expect him to be able to settle down and have a woman suppress his philandering manner. Evidently, Orpheus’ fiancà © has not tamed him, as he tries to flirt with Eurydice when he meets her. The way Orpheus reacts to love can be interpreted as selfish. His meddles with women for the sake of his own amusement, not because he has a de ep appreciation of them. His generosity towards Mira does not surpass a display of mild passions for her. There is no evidence of his ability to give more to a woman than his poetic but empty words. When Eurydice rejects the charming words of Orpheus, she demonstrates her ability to see through his external act and appreciate his true identity. Orpheus and Eurydice meet again, and this time they are alone. Orpheus tries once more to charm her, and she claims that it is not his words that she noticed about him, but his tune. She knows that his words are delightful but deceptive, and she is able to see the man who is behind the words. Eurydice perceives Orpheus not as a charmer with a captivating and quick tongue, but as a man whose beautiful music extends from a brilliant soul. Eurydice proves to be both an open minded and unselfish lover when she refuses to let Orpheus use his charms on her. In the quote previously mentioned, Eurydice reveals both her ability to see Orpheus for who he really is, and also her unwillingness to receive anything less than the real man. Accepting Orpheus’ flattery would be to relinquish hopes of truly understanding who he was, because it would mean that she didn’t believe that there was anything under the words. It would also show selfishness. Accepting his empty compliments would demonstrate a desire for him to affirm her pleasant qualities. Eurydice rejects flattery because she knows her love to be deeper. She is true to the emotions which do not allow her to be a self seeker, but force her to be willing to risk giving in to her strong feelings. The generosity that Orpheus displays once he realizes the intensity of his feelings demonstrates the truth of his and Eurydice’s love. It is her straight forward attitude and ability to see through him that makes him recognize her uniqueness. He quickly becomes aware of his love for her after he sees that she is serious about him, and now he can think of nothing but her protection. He brings her to his house at night because he wants to be assured of her safety, and he does not make even the slightest sexual advances. This is where his willingness to give of himself for her is demonstrated. His constant concern shifts from his own desires to those of Eurydice. No longer does he try to extract what he wants from the relationship, because his thoughts are more pure. Orpheus and Eurydice are true lovers because there is no force that can interrupt their commitment. A physical illustration of how deeply Orpheus has loved Eurydice is shown at the end of the film, when Orpheus transports Eurydice’s dead body from the morgue back up the hillside. Eurydice is dead and can no longer give her love to Orpheus, yet even death cannot stop him from caring for her. He watches over the lifeless body and guards it vigilantly, and soon he dies with it in his arms. It is clear that this love is unconditional, because death cannot restrain it. The truest love cannot have boundaries, because that would mean that the lovers have abandoned their emotions. Orpheus is emotionally committed to Eurydice until his death. Both Orpheus and Eurydice show a willingness to change their lives so that they can fully support one another. There love was based on profound mutual care and sincere generosity, the same characteristics that define true love. Love is valid when it is not based on self interest, but the well being and happiness of the individuals involved. The commitment to giving is the beautiful ideal that is achieved by Orpheus and Eurydice in Black Orpheus. Research Papers on "The Gift of Love" - Creative Writing EssayHonest Iagos Truth through DeceptionWhere Wild and West MeetAnalysis Of A Cosmetics Advertisement19 Century Society: A Deeply Divided EraComparison: Letter from Birmingham and CritoPersonal Experience with Teen PregnancyMind TravelThree Concepts of PsychodynamicHip-Hop is ArtThe Hockey Game

Chemistry 208 All QUIZ Essay Example for Free (#208)

Chemistry 208 All QUIZ Essay The Scientific Method Step 1: Performing Experiments Step 2: Making Observations Step 3: Proposing a Hypothesis Step 4: Confirming the Hypothesis Step 5: Proposing a Scientific Law Scientific Notation It is a mathematical expression in which a number is expressed as N x 10^n where N contains only one nonzero digit to the left of the decimal and n is an integer. Rules for Determining Significant Figures (digits) -All nonzero digits are significant figures -Counting begins from the left with the first nonzero number -Zeros between nonzero digits are counted as sig. Figures -Terminal zeros (zeros to the right of the right of a number) are always significant if the value contains a decimal point. Ex: 2. 3700 g: 5 significant figures 17. 50 mL: 4 significant figures Rule 1- In calculations involving measured values (with a certain # of sig. figs), the number of sig figs in the final answer depends on the operation performed. Rule 2- In multiplication and division of measured quantities, the final answer contains the same number of sig figs as are in the measurement with the least number of sig figs. Rule 3- In the final answer of a calculation involving exact numbers, unit conversion factors and constants, the number of significant figures is dictated by the measured quantity involved. Density = Mass/ Volume Matter: The term matter is used to describe things that occupy space and are perceivable by our senses. It can be classifies in terms of its physical state or chemical composition. Elements: composed of one type of atom. Classified as a metal, nonmetal or metalloid. Compound: a combination of elements in a definite proportion. Atoms of each individual elements are chemically combined to form the compound. A chemical change can break down a compound into its individual elements. Mixture: a non-pure substance made of 2 or more elements or compounds that can be separated by physical procedures. Protons have a positive charge, found in the nucleus. Neutrons have no charge, found in the nucleus. Electrons have a negative charge. The atomic number of an element is equal to the number of protons in the nucleus of its atoms. The mass number is equal to the number of protons and neutrons in the atom. To calculate the number of neutrons, subtract the atomic number from the mass number. Molecules are a combination of atoms in a definite proportion e. g. , molecule of water Ions are charged species formed by loss or gain of electron(s) from an atom. Loss of electron – cation (positively charged) Gain of electron – anion (negatively charged) Chemistry 208 All QUIZ. (2018, Oct 12).

International finance Essay Example | Topics and Well Written Essays - 1250 words

International finance - Essay Example receiving 51.5 million USD, it is forced to pay 1 million USD to the counterparty to settle the forward and this means it will only keep (51.5 million – 1 million) = 50.5 million USD. The company would have gained if the rate went against the forward rate by an equal margin of 0.02 USD/Euro. A forward contract essentially locks in the exchange rate, no matter what happens, and depending on which way the market subsequently moves it can be beneficial or detrimental. (a) Intrinsic value of a call option may be calculated as; In the case of a Call Option:  Ã‚  Ã‚  Ã‚  Ã‚   Underlying Price  - Strike Price = Intrinsic Value. Therefore, the intrinsic values of the stocks priced at $55, $50, $45 will be as follows; As can be observed from the table, the intrinsic value of the call option with a strike of $50 remains at zero until the stock starts to trade above the strike price. The call intrinsic value is greater than zero; therefore, it rises and continues rising as the stock starts to move away from the strike price to the upside. Which is; (0.06-0.05)*(90/360)*1 million = $2,500. This interest saving of 2,500 will not come until the end of the 90-day LIBOR or Loan period. Therefore, the value at settlement is calculated from the present value of these savings; If the floating rate happens to be less than the forward rate, the result will be, negative meaning the long will pay the short; this also happens when the current rate is less than the contract rate (Scott & Wellons 1995). Hence, money may be lost since borrowing could only technically take place at lower rate with the present rates than it is possible with contract rates. (a) The annual interest rate in the UK is 6.5% while that in the US is 5.2%; the interest rate in the US is lower than that in the UK by (6.5-5.2) = 1.3%. A reduction or lower interest rate will mean that the demand for US goods will be lower as compared to those of the UK goods by a percentage of 1.3%. This means a depreciation of the

A critical commentary on 'The Village Schoolmaster' by O. Goldsmith Essay

A critical commentary on 'The Village Schoolmaster' by O. Goldsmith - Essay Example While poetry, like literature, can be used for a variety of purposes, poetry such as that created by Oliver Goldsmith in his poem â€Å"The Village Schoolmaster† concentrates on illustrating a specific emotion. This is made explicitly apparent when one takes the work within its original context as a portion of a much longer work entitled â€Å"The Deserted Village.† According to an article posted by the University of Buckingham (â€Å"The Village Schoolteacher†, 2007), this longer work painted a picture of what is believed to be an amalgamation of a variety of small villages Goldsmith remembered, presenting a single image of a deserted town left behind as the result of privatization and loss of their lands. This longer work illustrates the importance of the fence mentioned in the first line of â€Å"The Village Schoolmaster† as newly privatized land was ‘enclosed’ in the name of progress: â€Å"what Goldsmith thought was going on is clear fro m what he says elsewhere in the poem: ‘Those fenceless fields the sons of wealth divide’ (307)† (â€Å"The Village Schoolmaster†, 2007). Regardless of whether one is familiar with the longer work from which this poem is taken, Goldsmith’s poem â€Å"The Village Schoolmaster† evokes the same sense of sad nostalgia for something lost forever within itself through Goldsmith’s mastery of imagery, meter, rhyme, lexicon and implied meaning. Goldsmith employs imagery within the very first lines of his poem to help set up the scene he wishes to invoke: â€Å"Beside yon straggling fence that skirts the way / With Blossom’d furze unprofitably gay† (1-2). The fence is further ahead, indicating a division between the land upon which the speaker is standing and the land upon which the deserted village still stands. That it is deserted is indicated by the overwhelming blossoming furze which is unprofitable because no one is left to enjoy it. However, it continues to

For Further Thought Essay Example | Topics and Well Written Essays - 500 words

For Further Thought - Essay Example The ethical issues arising before a teacher researcher may be dealt with easily in case you’ve got a sense of tact and have respect to other people. And yet, it is very useful to be reminded of professional ethics from time to time. As you read the chapter you feel embarrassed as to the results of the study undertook in the Billabong Elementary School, which aim was sooner to prove once again the advantages of the school in order to share them with the rest of the world. Even on the condition that we do not work at the school there appears a rash desire to change and improve everything. This is not our task, however. A teacher researcher is an outside observer, polite, thoughtful, and respectful. I find that the ethical guideline for teacher research outlined in the article is of great value for both beginning and working researchers. It is a kind of basic rules to be followed in work, which is associated with much intimacy and interpersonal relationships. The article provided a clear vision of answers to the questions put, though I felt rather confused at first. As to the data drawing a negative picture of individual teachers in the school, there exist certain rules concerning the how to do a research. It is very important to inform the faculty about the problems the school has. However, it should be done in an impersonal manner, without concrete names and grades. The confidentiality and anonymity are the major requirements of any research. So the faculty and the director should be explained the rules at once and informed that no names will be mentioned. A good professional will always understand his mistakes without being personally pointed to them. The rest of the faculty did not know about the problem, so let them stay unaware of their colleagues’ mistakes. It is not our task to prosecute anybody. We only propose help; people should make choices and decisions themselves. Moreover, the results of the study showed

Postcolonial literature

Postcolonial literature Postcolonial Literatures in English Title: What do you understand by the term postcolonial within the field of literary studies? You should refer to at least two texts you have read on the course. ‘Without responsibility, straddling Nothingness and Infinity, I began to weep. This comment of Fanons about the frustration of the inability to free ones black self from the oppressive aspects of racism and colonisation echoes through much of the postcolonial literature that has been studied throughout the course. Postcolonial literature refers to texts written about the effects of colonial rule after ‘the very first moment of colonial contact. Postcolonial authors often originate from colonised countries and, it seems to be the case that those writing about the consequences of colonisation have themselves encountered existence at the hand of the colonisers however; this is not always the case. What I aim to accomplish in this essay is to reveal the varied effects of colonisation on the colonised people in two of the texts that I have read on the course. I will be relating the experiences of those in Nervous Conditions, written by Tsitsi Dangarembga, alongside the occurrences in Miguel Street, written by V.S Naipaul. Although these two books are written by different authors and relay vastly contrasting happenings, there are significant similarities in both books which cannot be overlooked. Themes of childhood, education and struggle inevitably communicate through both novels in similar ways. What is most remarkable however is the method different characters in each narrative use in response to the strains caused, inevitably, by colonisation. Nervous Conditions, set in Zimbabwe around the 1960s or 1970s, portrays the developing life of a young female, also the narrator of the book, named Tambu. This coming-of-age novel reveals not only the trials and tribulations of the main female character but, it shows the ordeals suffered by her surrounding family. Likewise the narrator in Miguel Street also takes on the persona of a child however, this novel is set in Trinidad and the narrator is unnamed. The reader is aware that the unidentified speaker is male and this fact presents interesting contrasts between the two Bildungsroman novels with relation to male and female experiences under colonisation. The weight of Miguel Street conveys the lives of the unnamed storytellers friends and neighbours, rather than his direct family. That said, both of the postcolonial authors disclose their narratives directly from the focal point of colonised communities, coincidently both of which have political conflict in their back-drops. I found the theme of childhood very prominent throughout my reading of both Dangarembgas and Naipauls novels. Both authors use of children as narrators created a sincere naivety something which I do not feel would have been achievable through more experienced relaters. However, I am not suggesting that everything related in the narratives is entirely impartial. Both children, Tambu and the unnamed narrator, encounter, and illustrate to the reader, their lives after the initial occurrence of colonialism on their very different countries. Both young people also experience extreme poverty but, of course whilst Tambu is initially raised on the homestead, the latter develops in to an adult in a much more industrial area. These contrasting, yet ironically similar, lifestyles in the texts reveal the collective impact that colonisation can have on citizens oppressed by colonial rule, irrelevant of their precise locations. Although there are definite similarities between the experiences of Tambu and the unnamed narrator, womanhood serves as an extremely prominent theme in Nervous Conditions. Miguel Street, on the other hand, focuses the readers main attention on the experiences of male hood. This is not to suggest that the women in Naipauls novel do not encompass a purpose, I am merely implying that, through my reading of the text, the male occurrences in the novel are at the forefront of the readers attention. The opening line of Dangarembgas novel, ‘I was not sorry when my brother died. immediately insinuates that the novel will contain some aspects of struggle and resistance. What is most remarkable however is the fact that this powerful statement is declared by a female character, a character that is of a young age at the death of her sibling. Tambu is clearly seen to suffer at the hands of her brother, right up until his death. The narrators destitute parents use what little income they obt ain to send Nhamo to school. This lack of money for educational means highlights the inability of poor, black families, living in colonial areas, of ever ridding themselves from such their current situations. However, the narrators destitute parents decision to provide schooling solely for the male child of the family reveals an awfully apparent situation of female inequality. Nhamos harsh words towards Tambu, after her attempts to grow maize in order to send herself to school, provide a fine example of the oppression felt by the women in the novel. Nhamo uses Tambus femaleness to belittle her when he remarks, ‘Did you really think you could send yourself to school? This satisfactory tone in Nhamos words, as well as his unkindness in stealing Tambus maize, reveals the double struggle experienced by the women in text. MaShingayi, Tambus mother, poignantly highlights the situation of black women when she informs her daughter that life for her, ‘with the poverty of blacknes s on one side and the weight of womanhood on the other, will not be trouble-free. The women in Nervous Conditions endure domination in two different ways; not only are the females in the novel subjugated for being black, they are also repressed for being women. Further evidence in the novel of female strain is through the use of Nyasha and her mother, Maiguru. Although both women are black, they are educated and are reasonably wealthy in comparison with Tambus direct family. Nevertheless, Maiguru and her daughter inevitably still suffer nervous conditions. Nyashas personal toil becomes extremely apparent when she brawls with her father, Babamukuru. Babamukura, the head and main provider for his entire family is highly educated and greatly respected. On Babamukurus return from England with his family, Jeremiah, Tambus father, repeatedly refers to his brother as ‘Our returning prince. There is a great family celebration and the entire family is relieved at their ‘returning hero [s] homecoming. The obvious reason for the admiration of Babamukura is his educative status. Tambu, later in the novel, relates her uncles education with his superiority when she remarks, ‘he had made himself plenty of power. Plenty of power. Plenty of money. A lot of education. Plenty of everything. Unfortunately however, Babamukurus educated daughter and wife do not experience equivalent praise and control. Nyasha and her father, after a continuing conflict of principles, furiously exchange physical blows. Babamukuru scolds her daughter for defying his morals and eventually ‘condem[ns her] to whoredom. In contrast to Nyashas weighty presence in the novel is the heavy absence of her brother Chido. For example, Chido does not attend the Christmas celebrations with his family at the homestead. Unlike Nyasha, Chido is given full reign to do whatever he pleases and go wherever he desires. Although Babamukuru is ‘disappointed that his son will not be accompanying his relatives, there is no transference of harsh words between the two males. It seems to be the case that Babamukuru is gloomy at his sons absence not for the reason of dissatisfaction but for the loss of well-educated male company. The aspect of female inferiority is all too obvious through the contrasting attitudes of Babamukuru towards his son and daughter. Nyasha, according to Tambu, is ‘a victim of her femaleness, a ‘Femaleness as opposed and inferior to maleness. Evidence of the accuracy poignant comment about female suffering in the novel is not sparse. Nyashas development of an eating disorder, along w ith her mental breakdown later in the novel, reveals that not only is Nyasha affected psychologically by her suppression but her physical self is also jeopardised. It is clear that Nyasha loses her sense of self through visiting England and then returning to her country of origin, Zimbabwe. Nyasha confesses her personal damage to Tambu when she claims that she and her brother are ‘hybrids. Tambu also experiences her cousins alter ego when she is searching for Nyasha shortly before leaving to attend Sacred Heart. Tambu sadly finds Nyasha ‘reminding her of the closed girl who had come from England in a pink mini-dress, not the cousin and friend she had mellowed into in the three years since then. The extremity of Nyashas condition becomes clear on Tambus return from the convent school. Tambu describes Nyasha as ‘grotesquely unhealthy from the vital juices she flushed down the toilet and, she gives the reader a commentary of her nervous breakdown. After Nyasha ‘ rampaged, shredding her history books between her teeth, breaking mirrors, her clay pots, and jabbing the fragments viciously into her flesh, her parents finally realise that their daughter is genuinely suffering. Nyashas uncertainty about where she belongs and, according to Tambus mother, ‘the Englishness, ultimately leads to her downfall. Similar to the frustrations felt by Nyasha, although not to the same extremity, are the hardships experienced by Maiguru. Maiguru, although educated, does not receive comparable respect to Babamukuru, from Tambus direct family. Whilst Tambus uncle is welcomed home with an almost royal status, Maiguru attracts little of the praise given by the relatives. Maiguru is belittled by Babamukurus family and Babamukuru provides her with no real support For example, Lucia remarks to Maiguru, ‘Dont worry yourself, Maiguru. The matter concerns Babamukuru. This dismissal by Lucia, along with constant disagreement with Babamukuru about the running of her own household inevitably causes Maiguru to leave her family however she is never really able to escape her situation. Nyasha solemnly claims that her mothers homecoming is ‘such a waste with regards to Maiguru having the possibility to better her lifestyle. Maiguru obviously feels that inevitably she should be at home with her family h owever, it is clear that this believed duty is at the expense of a career of her own. Although the educated Maiguru does have an opportunity for escape, the restraints of her family life are holding her back from a desired profession. It seems to be the case that for the women in Nervous Conditions, to escape from colonial lands and male oppression, one has to leave their family life behind them. By exploring the life experiences of Nyasha and her mother, it can without doubt be supposed that education for women does not offer the same power that it puts forward for men. It would seem that for women, irrelevant of their schooling, there really is no real escape from colonialism or their own men. Fanon, although a highly influential writer, does not tend to regard femaleness in his writings. Fanon claims, ‘My blackness was there And it tormented me, pursued me, disturbed me, angered me. Although these aspects are extremely apparent to the black men in Miguel Street, Nervous Conditions reveals Fanons experiences being largely dedicated female characters. However, as we have already seen, Dangarembgas women are not only imprisoned by their black but also by their femaleness, by men. Nervous Conditions, its title being taken from the introduction by Jean-Paul Sartre to Frantz Fanons The Wretched of the Earth, is unmistakably a feminist re-writing of Fanon.[1] Contrasting with the women as the main focal point in Nervous Conditions, it is the mens experiences and struggles in Miguel Street which makes up the bulk of the novel. Although some of the women in Naipauls novel are seen as victims at the hands of men, the males in the book are often seen as equally foolish, if not more so than the women. Whilst Babamukuru is highly respected by most in Nervous Conditions, Naipauls George is seen as extremely idiotic and compared to a ‘donkey. After the death of Georges wife, whom the reader is led to assume died at the hands of her husband, the unnamed narrator remarks how George ‘went about crying in the streets, beating his chest. This mocking, monkey-like image is far from the genteel representation of Babamukuru. Another illustration of male mocking in the novel is through the use of Man-man. Laughter is a substantial theme in Miguel Street and almost everyone in the novel, at some point, laughs or is laughed at. Man-man is no exc eption. After it is revealed that Man-man always receives ‘exactly three votes when he puts himself ‘up for every election, Hat remarks that ‘Perhaps [it] is two jokers that have voted for Man-man, as well as himself. The idea that this male figure only obtains electoral support from two people who are ultimately ridiculing his sense of self emphasises male weakness in the novel. The scorning towards Man-man continues when he is illustrated as the ultimate irrational fool. After deciding to ‘crucify his-self, Man-man remarks to the surrounding people, â€Å"Stone, stone, STONE me, brethren! Although this behaviour is absurd, I as a reader could sympathise with Man-man for his attempt at escape from the confines of his life. However, as soon as the male extremist shouts, ‘I go settle with that son of a bitch who pelt a stone at me., the bafflement simply conveys Man-man as ludicrous. Inevitably, the contempt shown towards many of the male figures in the novel could be due to Naipauls own personal hatred of Caribbean people. Naipaul was treated extremely badly by his Afro-Caribbean neighbours, which inevitably led to an acquired detestation for them that still remains to this day.[2] Some postcolonial countries go so far as to view Naipaul as a racist.[3] On the other hand, the use of characters such as George and Man-man may be for sympathetic devises. Man-man is conveyed as a pathetic character however, his search for a sense of self echoes the behaviour of Nyasha in Nervous Conditions. The narrator remarks, ‘The authorities kept [Man-man] for observation, Then for good. This occurrence highlights a double oppression. Not only is Man-mans sense of self trapped by colonialism but it is also confined by law enforcement. Similarly, Nyasha is trapped by her femaleness as well as by colonialism. Both characters produced in me a sense of pity; both individuals act irrationally to attempt to free themselves from their surrounding restraints however there is no escape for either. Although most of the male figures in Nervous Conditions are revealed as ridiculous, Elias, the son of the detested George, makes real attempts at bettering his life, and inevitably escaping from life in Miguel Street, through schooling. The narrator claims, ‘I was prepared to believe that [Elias] would become a doctor some day. Unfortunately however, the young man is unable to achieve the desired grades and is destined to life as a cart driver. The inability to escape from his disheartening destiny, without appropriate qualifications, highlights further the importance of education. Without education, men in the novel have no choice but to exist in poverty in colonial lands. Due to Naipauls negative judgements of Caribbean people there is some ambiguity in the narrative about whether Elias situation is presented by the author to generate sympathy or scorn. The fact that Elias has lost his mother generated compassion however, the use of other characters in the novel that reveal wasted chances due to lazy and brainless suggests that Elias exists in the novel just as another dim-witted black man. Another possible case of Naipauls contempt is through the use of Titus Hoyt. Although Titus Hoyt is shown as reasonably intelligent and is regarded with an evident admiration, mainly by the narrator, his achievements do not compare with those of Babamukuru. Although both Babamukuru and Titus Hoyt eventually run schooling institutions, the latter is made to seem like a fool in front of his students. For example, when Titus Hoyt battles to teach his associates Latin Boyee remarks, ‘Mr Titus Hoyt, I think you making up all this, you know, making it up as you go along. The accusative statement ultimately disparages Titus Hoyt and reflects the lack of achievements of some of the more obviously senseless characters in Naipauls novel. Even when Titus Hoyt finally gets recognition through having his photograph placed in the local newspaper, there is a suggestion that through the anonymity of the student who apparently wrote the correspondence , he composed a letter to himself praising his own ‘virtue. Even the description of Titus Hoyt as ‘pop-eyed in the photograph makes the teacher appear as a counterfeit of success. Recognition is an important factor for most of the men in Miguel Street however it seems that there is always some underlying factor which is preventing them from succeeding. Whilst the struggle of colonised lands is extremely apparent throughout this novel, it cannot be ignored that perhaps Naipaul is prohibiting the triumph of the Caribbean male figures for his own satisfaction. Although the men in Miguel Street are shown as foolish and disaster-prone compared to Babamukuru, some of the male figures in Nervous Conditions are also portrayed as idle. Tambus father, Jeremiah, for example, is shown as an extremely futile man, depending on the successes of his brother to support him and his family. It emerges that whilst ‘Babamukuru had defied ‘the weight of his poverty., Jeremiah had merely ‘cringed ‘under the evil wizards spell, the spell that is inevitably colonial rule. The use of Jeremiah as a character may be for the purpose of a mocking devise by Dangarembga to highlight Tambus success as a woman in comparison with her fathers failure as a man. Conversely, Dangarembgas use of a character like Jeremiah may also be to highlight the importance of education and, to reveal that men can suffer frustration just as women can. It becomes clear that nobody in either novel really escapes the oppressions of colonialism. Whilst the failures in Miguel Street are all too apparent, Nervous Conditions promote more subtle disappointments, mainly through women. Although the unnamed narrator gets away from Miguel Street at the end of the novel, it is only through his his mothers bribing that he is able to do this. Furthermore, although Tambu physically breaks away from her toils through genuine personal achievement, there is a psychological part of herself that remains with her previous life. Fanons comment at the opening of the essay cleverly fits in to both Dangarembga and Naipauls novels, as well as much of the other postcolonial texts I have encountered on this course. The frustration Bibliography 13 [1] [2] [3]